The CSU Poetry Center is thrilled to announce the results of our 2016 book competitions. The following three books were selected from nearly 1,000 manuscripts and will be published in spring 2017. Thank you to everyone who sent us work & congratulations to the winners and finalists below.
Winner of the First Book Poetry Competition
Judge: Daniel Borzutzky
Sheila McMullin’s daughterrariums
Sheila McMullin, poet and intersectional feminist, is Managing Editor at VIDA: Women in Literary Arts and serves on the Count Committee for the VIDA Count Intersectional Survey. A community-based workshop leader, she facilitates creative writing workshops for all ages as well as college prep sessions for high schoolers. She volunteers at her local animal rescue and holds an M.F.A. from George Mason University. Find more about her writing, editing, and awards online at www.moonspitpoetry.com and follow her on Twitter @SheAPoem.
First Book Honorable Mentions: Monique-Adelle Callahan’s Exit Through the Body’s Prayer; Clara Changxin Fang’s Night Crossing over the Pacific.
First Book Finalists: Kristin George Bagdanov’s Fossils in the Making; Melissa Barrett’s Moon on Roam; Bryan Beck’s Countryman; E.C. Belli’s A Sleep That Is Not Our Sleep; Jaime Brunton’s Reclaimed; Bill Carty’s Huge Cloudy; Mario Chard’s Land of Fire; Hilary Dobel’s Hot Cognition; Cassie Donish’s The Leaf Mask; Laura Eve Engel’s I Write to You From the Sea; Jameson Fitzpatrick’s Balcony Scene; Kelly Forsythe’s Perennial; Binswanger Friedman’s The Four Color Problem; Sam Gilpin’s Spawl; Monica Gomery’s here is the night and the night on the road; Christine Gosnay’s Lossless; Anna Maria Hong’s The Glass Age; R.E. Katz’s Dark Quencher; Keith Kopka’s Count Four; Emily Liebowitz’s National Park; Grace Shuyi Liew’s Careen; James Longley’s What Cheer Heptagon; Marco Maisto’s Traces of a Fifth Column; Sara Marshall’s To Be New for the Empire; Matt McBride’s Polis; Kelly Nelson’s Crossing Thief River; Lance Newman’s The Acid Craft of Numbers; Elsbeth Pancrazi’s Bodyswap; Ann Pelletier’s Letter That Never; Nina Puro’s Each Tree Could Hold a Gallows or a House; Chris Robinson’s Air Become Sinewed; Kenyatta Rogers’s Unf***withable; Zohra Saed’s The Secret Lives of Misspelled Cities; Max Schleicher’s Exhausted by the Rest; Kirsty Singer’s Tertullian’s Daughter; Molly Spencer’s Relic and the Plum; Adam Strauss’ Braided Sand Country; Kelly Sullivan’s Sleep Music; Billie Tadros’ Was Body; Carleen Tibbets’ dossier for the postverbal/; Lisa Wells’ Prisoner’s Cinema; Jared White’s The Trolls; Candice Wuehle’s FIDELITORIA: fixed or fluxed.
Winner of the Open Book Poetry Competition
Judges: Emily Kendal Frey, Siwar Masannat, & Jon Woodward
Jane Lewty’s In One Form to Find Another
Jane Lewty is the author of Bravura Cool (1913 Press, 2013), and the co-editor of two essay collections: Broadcasting Modernism (University of Florida Press, 2009) and Pornotopias: Image, Desire, Apcalypse (Litteraria Pragensia, 2010). Her poems have appeared or are forthcoming in The Harvard Review, Dusie, Lana Turner, Bone Bouquet and elsewhere. She has an M.F.A. from the Iowa Writers’ Workshop and currently lives in Amsterdam, The Netherlands.
Open Book Honorable Mentions: Jackie Clark’s Everything Is Always Wonderful If It Is Almost Over; Gina Kelcher’s A Great Hair Day on the River.
Open Book Finalists: Carrie Bennett’s Ghost Plants and Other Animals; Carmen Gillespie’s The Ghosts of Monticello: A Recitative; Arpine Konyalian Grenier’s Yeva Girk; Sarah Heady’s Comfort; Ann Huang’s Saffron Splash; Megan Levad’s You Are Where You Live; Beth Marzoni’s There Was During a Sudden; Tyler Mills’ Salt Mask; Nathaniel Perry’s Long Rules; Beth Roberts’ Evolvers; Heidi Staples’ A**AA*A*A; S.A. Stepanek’s Somebody, Maybe; Gale Thompson’s Expeditions to the Polar Seas; M. A. Vizsolyi’s The Common Index of Poetic Lines; Joshua Young’s Sleep Ambulance.
Open Book Semi-Finalists: John Bradley’s Infinite Past: The Life & Lice of Miguel Carablanca; Alejandro Escude’s What the Atheists Speak Of; Tyler Gobble’s Hallelujah Jars; Christopher Kondrich’s Valuing; Jason Koo’s More Than Mere Light; Teresa Miller’s California Building; Jenn Marie Nunes’ Air/Or; Stan Mir’s Three Patterns; Emily Rosko’s Weather Inventions; Alexis Pope’s That Which Comes After; Liza Porter’s Rape Register; Sarah Smith’s Negative Cape; Cedric Tillman’s in my feelins; David Weiss’ Per Diem; Kathleen Winter’ Tonic.
Winner of the Essay Collection Competition
Judge: Chris Kraus
James Allen Hall’s I Liked You Better Before I Knew You So Well
James Allen Hall is the author of the poetry collection, Now You're the Enemy (University of Arkansas Press, 2008) and has won awards from the Lambda Literary Foundation, the Texas Institute of Letters, and the Fellowship of Southern Writers. His essays have appeared in Story Quarterly, Bellingham Review, Alaska Quarterly Review, Redivider, and Bennington Review. A 2011 NEA Fellow in Poetry, he teaches creative writing and literature at Washington College on the eastern shore of Maryland.
Essay Collection Finalists: Kate Colby’s The Itch; Krista Eastman’s The Painted Forest; Elizabeth McConaghy’s Migrations; Kathryn Nuernberger’s Brief Interviews with the Romantic Past; Dustin Parsons’s Dispatches From the 51st State; Kisha Schlegel’s Fear Icons; Sejal Shah’s How To Make Your Mother Cry; Julie Marie Wade’s The State of Our Union: A Collage; Nicole Walker’s Microcosm.
Essay Collection Semi-Finalists: Diana Arterian’s Arrangement of Parts; Jehanne Dubrow’s Throughsmoke; Christine Hume’s The Saturation Project; Andy Fitch’s Garageland; Wes Jamison’s Carrion; Kat Moore’s In the Non-Light; Mariko Nagai’s Imaginary Death: A Family Memoir; Mwatabu Okantah’s The View from the Stono; Shaelyn Smith’s The Leftovers; Grace Talusan’s The Body Papers.